In “Magenta Haze”, the performers engage in play with large, colourful objects, yielding a choreography of subtle tipping points between distance and proximity, solidarity and alienation, fragility and strength, and the individual and the group. Milla Koistinen invites the audience to move around the space and observe the choreography.
In “Magenta Haze”, the performers engage in play with large, colourful objects, yielding a choreography of subtle tipping points between distance and proximity, solidarity and alienation, fragility and strength, and the individual and the group. Milla Koistinen invites the audience to move around the space and observe the choreography.
In “Magenta Haze”, the performers engage in play with large, colourful objects, yielding a choreography of subtle tipping points between distance and proximity, solidarity and alienation, fragility and strength, and the individual and the group. Milla Koistinen invites the audience to move around the space and observe the choreography.
The mentoring programme “Forecast” promotes the transdisciplinary exchange of forward-looking artistic ideas on an international scale. At the festival, the six mentees of Edition 7 will present their work, which they have developed over ten months in exchange with their mentors.
Mentees: Tom Cassani, Mia Štark, Luciana Decker Orozco, Alexis Guillier, Hamza Baig, Peny Chan
Mentors: Florentina Holzinger, Ana Prvački, Laura Huertas Millán, Alia Ibrahim, Daliso Chaponda, Rully Shabara
The mentoring programme “Forecast” promotes the transdisciplinary exchange of forward-looking artistic ideas on an international scale. At the festival, the six mentees of Edition 7 will present their work, which they have developed over ten months in exchange with their mentors.
Mentees: Tom Cassani, Mia Štark, Luciana Decker Orozco, Alexis Guillier, Hamza Baig, Peny Chan
Mentors: Florentina Holzinger, Ana Prvački, Laura Huertas Millán, Alia Ibrahim, Daliso Chaponda, Rully Shabara
The mentoring programme “Forecast” promotes the transdisciplinary exchange of forward-looking artistic ideas on an international scale. At the festival, the six mentees of Edition 7 will present their work, which they have developed over ten months in exchange with their mentors.
Mentees: Tom Cassani, Mia Štark, Luciana Decker Orozco, Alexis Guillier, Hamza Baig, Peny Chan
Mentors: Florentina Holzinger, Ana Prvački, Laura Huertas Millán, Alia Ibrahim, Daliso Chaponda, Rully Shabara
The mentoring programme “Forecast” promotes the transdisciplinary exchange of forward-looking artistic ideas on an international scale. At the festival, the six mentees of Edition 7 will present their work, which they have developed over ten months in exchange with their mentors.
Mentees: Tom Cassani, Mia Štark, Luciana Decker Orozco, Alexis Guillier, Hamza Baig, Peny Chan
Mentors: Florentina Holzinger, Ana Prvački, Laura Huertas Millán, Alia Ibrahim, Daliso Chaponda, Rully Shabara
The mentoring programme “Forecast” promotes the transdisciplinary exchange of forward-looking artistic ideas on an international scale. At the festival, the six mentees of Edition 7 will present their work, which they have developed over ten months in exchange with their mentors.
Mentees: Tom Cassani, Mia Štark, Luciana Decker Orozco, Alexis Guillier, Hamza Baig, Peny Chan
Mentors: Florentina Holzinger, Ana Prvački, Laura Huertas Millán, Alia Ibrahim, Daliso Chaponda, Rully Shabara
This year's MaerzMusik Festival will take place from 17 to 26 March at Haus der Berliner Festspiele, Radialsystem and other venues – for the first time under the artistic direction of curator and music journalist Kamila Metwaly. In addition to "Grenzraum HÖREN 17", the music theatre "Songs for Captured Voices" by Laure M. Hiendl, Elaine Mitchener and Ensemble KNM Berlin will be presented at Radialsystem, as well as three concerts by Juliet Fraser, Alexis Baskind, the Riot Ensemble and lange/berweck/lorenz.
This year's MaerzMusik Festival will take place from 17 to 26 March at Haus der Berliner Festspiele, Radialsystem and other venues – for the first time under the artistic direction of curator and music journalist Kamila Metwaly. The music theatre “Songs for Captured Voices” by Laure M. Hiendl, Phila Bergmann, Thea Reifler and Göksu Kunak centres around human voices that have been instrumentalised time and again throughout history and become the object of asymmetrical power negotiations.
This year's MaerzMusik Festival will take place from 17 to 26 March at Haus der Berliner Festspiele, Radialsystem and other venues – for the first time under the artistic direction of curator and music journalist Kamila Metwaly. In this programme, Juliet Fraser performs three compositions written for her, revealing the uniqueness of her voice and representing quite different approaches to the voice in general and in combination.
This year's MaerzMusik Festival will take place from 17 to 26 March at Haus der Berliner Festspiele, Radialsystem and other venues – for the first time under the artistic direction of curator and music journalist Kamila Metwaly. Riot Ensemble performs four compositions – by Bára Gísladóttir, Bethan Morgan-Williams, Alex Paxton and Oliver Thurley.
This year's MaerzMusik Festival will take place from 17 to 26 March at Haus der Berliner Festspiele, Radialsystem and other venues – for the first time under the artistic direction of curator and music journalist Kamila Metwaly. The synthesizer trio lange//berweck//lorenz reveals meandering worlds filled with colour with works by Asmus Tietchens, Andrea Neumann, Korhan Erel and Bernhard Lang.
Nico and the Navigators demonstrate with their scenic/musical revision of T.S. Eliot’s illustrious poem “The Waste Land” the enduring value of a poetic time capsule summarising the period that emerged at the end of World War I. The poem takes up crises that continue to affect us today: wars, catastrophic drought, and economic depression. Against this backdrop, this music theatre piece searches for a common future and entices its audience to engage in purposeful community within art.
Nico and the Navigators demonstrate with their scenic/musical revision of T.S. Eliot’s illustrious poem “The Waste Land” the enduring value of a poetic time capsule summarising the period that emerged at the end of World War I. The poem takes up crises that continue to affect us today: wars, catastrophic drought, and economic depression. Against this backdrop, this music theatre piece searches for a common future and entices its audience to engage in purposeful community within art.