Heroines of Sound Festival: Sound exploration with ceramic flutes

Workshop with Macri Cáceres

Workshop Festival

Tickets

Ticket Prices

Workshop  6 Euro

Free admission with Day Ticket or Festivalpass:
→ Day Ticket        22 Euro, discount 15 Euro
→ 2-Days Ticket   36 Euro, discount 25 Euro
→ Festivalpass     56 Euro, discount 38 Euro

The numer of participants is limited. We kindly ask day ticket and festival pass holders to register in advance at ticket@radialsystem.de.

Inaugurated in 2014, the ninth edition of the Heroines of Sound Festival presents hero(in)es of electronic sound in early July. Over the course of three days, Radialsystem hosts eleven world premieres and more than thirty artists from twenty different countries, featuring early works as well as current and forward-looking positions that range from contemporary art music to advanced pop.

With renowned Canadian/German composer Annesley Black as guest curator, the focus of this year’s festival is on Canada’s internationally influential music scene. The artists counter the exogenous shock of the war in Ukraine with an emphatic “orientation toward the world”; they address aspects such as flight, repression or dictatorship, and question our common humanitarian values.

Among the festival highlights is the opening concert, which marks the world premiere of Mariam Gviniashvili's electronic composition “Chaos and Awe”, accompanied by instrumental chamber music and audiovisual performances by the ensemble LUX:NM. Other noteworthy events include a concert featuring the ensemble KNM Berlin and Peruvian composers' collective Retama, who appear onstage in Berlin for the first time, and a programme for solo percussion as well as commissioned works for the legendary Minimoog synthesizer.

Cast

Workshop
Macri Cáceres

Biographien

Die aus Lima (Peru) stammende Performerin, Komponistin und Improvisatorin Macri Cáceres ist Mitglied des Kollektivs RETAMA und beschäftigt sich intensiv mit Keramikflöten: Mit den klanglichen und kreativen Möglichkeiten der Flöten setzt sie sich während der eigenen Herstellung auseinander sowie in ihren Kompositionen und in der Zusammenarbeit mit anderen Künstler*innen. Sie studierte Musik und Komposition an der Universidad Peruana de Ciencias Aplicadas (UPC) und erwarb das Diplom in Klanggestaltung mit neuen Technologien am Mexican Center for Music and Sonic Arts (CMMAS). 2021 trat sie bei Donaueschingen global auf, derzeit ist sie Stipendiatin bei Postcolonial Recherche, einem Projekt des Ensemble Recherche und des Goethe-Instituts.

Language

English

Credits

An event by Heroines of Sound, supported by Hauptstadtkulturfonds, Ernst von Siemens Musikstiftung, Mariann Steegmann Foundation and Goethe-Institute. In cooperation with KLANG-Festival (DK).

Media partners: Digital in Berlin, Groove, taz. die tageszeitung, tip Berlin, ExBerliner, VAN Webmagazin.

Inaugurated in 2014, the ninth edition of the Heroines of Sound Festival presents hero(in)es of electronic sound in early July. Over the course of three days, Radialsystem hosts eleven world premieres and more than thirty artists from twenty different countries, featuring early works as well as current and forward-looking positions that range from contemporary art music to advanced pop.

With renowned Canadian/German composer Annesley Black as guest curator, the focus of this year’s festival is on Canada’s internationally influential music scene. The artists counter the exogenous shock of the war in Ukraine with an emphatic “orientation toward the world”; they address aspects such as flight, repression or dictatorship, and question our common humanitarian values.

Among the festival highlights is the opening concert, which marks the world premiere of Mariam Gviniashvili's electronic composition “Chaos and Awe”, accompanied by instrumental chamber music and audiovisual performances by the ensemble LUX:NM. Other noteworthy events include a concert featuring the ensemble KNM Berlin and Peruvian composers' collective Retama, who appear onstage in Berlin for the first time, and a programme for solo percussion as well as commissioned works for the legendary Minimoog synthesizer.

Cast

Workshop
Macri Cáceres

Biographies

Die aus Lima (Peru) stammende Performerin, Komponistin und Improvisatorin Macri Cáceres ist Mitglied des Kollektivs RETAMA und beschäftigt sich intensiv mit Keramikflöten: Mit den klanglichen und kreativen Möglichkeiten der Flöten setzt sie sich während der eigenen Herstellung auseinander sowie in ihren Kompositionen und in der Zusammenarbeit mit anderen Künstler*innen. Sie studierte Musik und Komposition an der Universidad Peruana de Ciencias Aplicadas (UPC) und erwarb das Diplom in Klanggestaltung mit neuen Technologien am Mexican Center for Music and Sonic Arts (CMMAS). 2021 trat sie bei Donaueschingen global auf, derzeit ist sie Stipendiatin bei Postcolonial Recherche, einem Projekt des Ensemble Recherche und des Goethe-Instituts.

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